Collect: The International Art Fair for Contemporary Objects took place at the Saatchi Gallery in London from from the 2nd - 6th February 2017. I visited this exhibition and really enjoyed seeing modern ceramics, glass, jewellery, wood, metal and textiles from established and emerging artists. These artists were represented by some of the world’s most successful galleries. This exciting event was hosted by the Crafts Council, the national development agency for the contemporary crafts in the UK.

Despite it being a Monday, the Saatchi gallery was bustling and energetic, filled with eager-eyed people. There was a buzz of excitement in the air, as a range of different people gathered united by a love for art. The gallery provided a light, airy and open space, perfect for exhibiting these unique pieces of art. This art fair has been running for thirteen editions, testament to its interesting and thought provoking art work. I have been for a number of years, and each year it seems to get even better! 37 different galleries exhibit work at Collect, offering something for everyone’s tastes. This also offers the opportunity to view work from around the world, be it Asia or the Netherlands.

There is always something to make you think at Collect. A personal favourite of mine was an intriguing piece by British artist Sue Paraskeva. The installation was composed of 400 bowls thrown with 250g of porcelain. This is the weight of a female heart. However, the bowls amassed in a heap on the ground, broken. Some were hanging from string to show them falling. The label next to this piece said ‘Every day, three women die at the hands of someone who supposedly loves them.’ Art is totally subjective, and everyone is affected differently by it. But I think it would be impossible not to be moved by this poignant and touching piece. I hope everyone stopped to consider the significance of this installation and thought about the 4000 women who die each year because of domestic violence.

I also really enjoyed viewing ceramist Tanya Gomez’s work. It consisted of a joyful collection of ceramic pots, displayed against a colourful backdrop. Her use of bright colours such as orange, red and yellow made it eye catching and exciting. Even more interestingly, Gomez included a few blue/black pieces within the collection. This could be seen as risky, because it would draw attention away from the bright colours and add a sombre tone. However, it was done expertly so as not to take away from the fiery theme. In fact, I think it further emphasised the brightness of the other ceramics compared to the darkness of some.


Overall, I would sincerely recommend visiting Collect next year, as it was an inspiring and thought provoking event. Even if you are not naturally an art lover, there is something for everyone. The atmosphere was lively and there was a vast range of people visiting, from all around the world. I definitely plan on going again next year, and I think you should too.